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Tse Go La (At the threshold of this life) (2012) for double chorus and chamber orchestra (or reduced instrumentation).
Listen to the entire work here. Treble choir here. Audio, video and info here. Published by Seeadot. SATB, SSA, TTB octavos, Single line children’s chorus, vocal solos and perusal scores here. Listen to Andrea’s Tibetan-inspired works on youtube. 3-minute interview here.
Commissioned by Mendelssohn Chorus and Pennsylvania Girlchoir
Commissioned by Mendelssohn Chorus and Pennsylvania Girlchoir
MILA, Great Sorcerer (2019)
2-Act Opera on the life of the venerated Tibetan yogi, Milarepa. Libretto by Jean-Claude van Itallie and Lois Walden. Prototype Festival, NYC, January 2019. Commissioned by Gene Kaufman and Terry Eder. Performed by leads Lauren Flanigan, Aaron Blake, Musa Ngqungwana, Eve Gigliotti, Will Liverman, Susannah Biller, Tobias Greenhalgh, Jonathan Blalock with The New York Virtuoso Singers, The Knights orchestra, conducted by Manoj Kamps.
Here I Am: I Am Here (2021)
For soprano and tenor soloists, 2 narrators, chorus, string quartet and piano. Commissioned and premiered by Coro Allegro Chorus, Boston, based on open letters from a mother to her transgender son and a survivor of conversion therapy to their younger self. 5-minute excerpt
Reflections on the Dranyen (2022)
For solo classical guitar. Commissioned and premiered by William Kanengiser. Watch on YouTube here.
Lung-Ta (The Windhorse) (2009)
For large chamber ensemble
Commissioned and premiered by Network for New Music, Movement II “Avalokiteshvara (Compassion)”
Hvati (2017)
Tuba and piano, Oystein Baadsvik and Rena Hashimoto
Commissioned by Froydis Ree Wekre
Kabo Omowale (Welcome Home Child)
Chorus, spoken word, orchestra
Commissioned by The Philadelphia Orchestra
Earth Door/Sky Door (2018)
Flute, percussion, piano, string quintet
Emma Resmini, Flute; Ida Kavafian and Theodore Arm, Violins; Steven Tenenbom, Viola; Peter Wiley, Cello; Peter Lloyd, Double Bass;
Anne-Marie McDermott, Piano; Gregory Zuber, Percussion, Jonathan Coopersmith, conductor
Commissioned by Music from Angelfire, Ida Kavafian, Artistic Director
Standing at the Beam (2022)
For SATB chorus and string quintet
Commissioned and premiered by Michigan State University Chorale, David Rayl, conductor, with support from Edward D. Anderson Choral Scholars Fund.
Rabsong Shar (Eastern room of the palace) (2016, rev. 2017)
Soprano, Flute, Oboe, Clarinet, Bass Clarinet, Harp, Piano, Percussion (3), Violins (2), Viola, Cello, Double Bass, Electronics
Commissioned by the University of Arkansas New Music Ensemble
Convergence (2008)
For viola and piano
Commissioned by Barbara Westphal
Sagitta (2016)
Flute, Mimi Stillman, guitar Gideon Whitehead, Dolce Suono Ensemble
World premiere performance, DSE Presents, Philadelphia 2016
Commissioned by Diller Quaile School of Music
Rhapsodie (2008)
Flute, harp, string trio
Commissioned by Dolce Suono Ensemble
The Golem Psalms Cantata (2006)
Sanford Sylvan, baritone, Mendelssohn Club and The Chamber Orchestra of Philadelphia
Commissioned by The Mendelssohn Club, Innova Label
The Rim of Love Cantata (2006)
For soprano, harp, percussion and string orchestra, Disella Larusdottir, soprano, Symphony in C, Rossen Milanov, cond.
Commissioned by Astral
The Long Bright Cantata (2004)
Hila Plitmann, soprano, treble chorus and orchestra
Commissioned by David Wolman
Romanza (2007)
Violin and chamber orchestra, Gloria Justen, soloist
Commissioned by Orchestra 2001
…and low to the lake falls home (2009)
For flute, viola and harp
Commissioned by Carol Wincenc
Three Songs for Violin and Double Bass
after poems by Pablo Neruda (1998)
For Heide Sibley and Edgar Meyer
Prayer and Ruth’s Aria from Women of Valor Oratorio (2000)
Hila Plitmann, Gail Dubinbaum, Valerie Harper (narr.) and orchestra
Commissioned by The Los Angeles Jewish Symphony
Listen to Andrea’s music on Youtube or on Soundcloud. Connect with Andrea on Facebook and Instagram.
The Salon (28 Years): A Philadelphia Treasure
interview with Andrea on Tse Go La cantata
MILA, Great Sorcerer opera trailer, libretto by Jean-Claude van Itallie and Lois Walden. Watch the entire opera here.
Watch 25 Years of Andrea Clearfield’s Salon
Poet of the Body and the Soul performed by Florida State University Singers
Mendelssohn Club:Tse Go La premiere
“Shar Ki Ri” from Tse Go La cantata with images from Andrea’s treks to Upper Mustang, Nepal
Three Songs for Violin and Bass, III with Heide Sibley and Edgar Meyer
Three Songs for Violin and Bass, I with Heide Sibley and Edgar Meyer
Andrea’s arrangement of Saint-Saens’ “Bacchanale” from Samson and Delilah
Tse Go La, movement III from Tse Go La cantata
Let us Remember Spring, commissioned by Laura Strickling, premiered by Laura Strickling and Laura Ward
Standing at the Beam, premiere at Michigan State University
A Brush with our Time
When I am Woman for treble choir and piano
Women of Valor oratorio, “Ruth’s Aria” sung by Hila Plitmann with the Los Angeles Jewish Symphony
News. For commissions, perusal scores, residencies, teaching, rentals and sales contact Trudy Chan at Black Tea Music.
Andrea’s SZALON celebrated its 38-Year Anniversary on September 29th with 11 superb ensembles. The next Szalon is on November 24th. Join us live or online! Program and how to join here.
Creating deep, emotive musical languages that build cultural and artistic bridges, the music of Andrea Clearfield is performed widely in the U.S. and abroad. Her 175 works include an opera and seventeen large-scale cantatas; one commissioned and premiered by The Philadelphia Orchestra. She is a recipient of numerous awards including a 2016 Pew Fellowship, a 2021 Pew Center International Residency Award, two Independence Foundation Fellowships, two Leeway Foundation Fellowships, two Rockefeller Bellagio Center Fellowships and a William Penn Fellowship at the American Academy in Rome. She was also awarded fellowships at Yaddo, MacDowell, Ucross, Civitella, Montalvo, Blue Mountain Center, Helene Wurlitzer Foundation of New Mexico, Virginia Center for the Creative Arts, Copland House and more. Andrea served two terms on the Board of the Grammy’s, Philadelphia Chapter and currently serves on the Executive Board of Wildflower Composers.
Andrea was awarded a 2025 Yaddo Fellowship and Marble House Project Residency. She was also awarded a February, 2024 Composer Fellowship at the Rockefeller Foundation’s Bellagio Center, Lake Como, Italy where she wrote Part 1 of an evening-length cantata, “Long Live the Queen (a her-story of drag)” in collaboration with librettist, drag soloist and costume designer, Cookie Diorio. Part I was premiered presented by the Philadelphia Gay Men’s Chorus on May 17 and 18 at Suzanne Roberts Theater in Philadelphia, with subsequent performances at the June Rockefeller Pride 2024 event NYC and the July GALA Festival in Minneapolis. This summer her work “Rise” for horn and piano was premiered at the International Horn Symposium in Fort Collins, CO. Andrea was Visiting Composer at University of Michigan in early July and will be visiting composer at Rutgers University and The College of New Jersey this fall.
She was awarded a 2023 composer fellowships at the Visby International Centre for Composers in Sweden where she was the recipient of a Swedish Arts Grant for intercultural exchange. November 17th was the NYC premiere of her cantata Beyond the Binary. Read the article in Broadway World here. Andrea has had 16 world premieres of her music in the past two years, including HERE I AM:I AM HERE, Standing at the Beam, When we listen, Transformed by Fire Choral Suite, Beyond the Binary, Let Us Remember Spring, Where Everything is Music, Reflections on the Dranyen, Pan with Us (world premiere arrangement from Fire and Ice cantata, begin at 0:00), Singing into Presence (begin at 16:00), Home in Me,A Brush With Our Time and Smile Thy Shores for vocal octet and cello, commissioned by The Presser Foundation. Three Songs for Violin and Bass was performed on the New Milestones series at Lincoln Center.
Andrea was commissioned to write the music and libretto for Here I Am: I Am Here for Coro Allegro’s Letters To Our Children Project. David Hodgkins, Artistic Director of Coro Allegro, wrote: “More and more, Andrea has been tackling issues involving the LGBTQ+ communities, and her thoughtfulness and perceptiveness is just what is needed as we all embrace – and celebrate – all of the nuanced challenges that are before us these days. For the messaging to be heard, the music conveying that message must be superb, and Andrea delivers that and more. It is clear that in our current world, musical integrity and issues of social justice can intertwine to give voice to those who have been previously silenced.”Watch a rehearsal clip of the piece. Find out more and get your copy of the score. The cantata will have its NYC premiere with the Stonewall Chorale in NYC on March 23, 2024, and will a be a featured work at the GALA festival in Minneapolis on July 12, 2024.
Reflections on the Dranyen for classical guitar, commissioned and premiered by renowned classical guitarist William Kanengiser, was selected as the required piece for the Guitar Foundation of America’s 2022 International Competition. Watch the semi finals and the finals here. Purchase the work here. Learn about the work here.
Andrea was composer-in-residence at the Banff Centre for Arts and Creativity August-September, 2022 Leighton Studios as a winner of the Pew Foundation International Residency Award. She was Composer-in-residence at the University of New Mexico in May, 2022 for the World Premiere of Singing into Presence commissioned by UNM for their chorus and orchestra and set to poetry by Kitty O’Meara on the theme of the pandemic, and the New Mexico premiere of “Pan with Us” from her Fire and Ice cantata. Watch the concert here. Info here. She was visiting composer at Michigan State University Spring, 2022 for the premiere of Standing at the Beam, to poetry by Anthony Silvestri. The work, commissioned by MSU, honors the resilience and courage of those who have suffered sexual abuse. Andrea’s cantata, Beyond the Binary, commissioned by Mendelssohn Chorus, Dominick DiOrio, director was premiered on May 15, 2022 at the Fillmore, Philadelphia. Read a feature story by Peter Crimmins on WHYY here.BEYOND THE BINARY (a meditation on humans and machines) is set to libretto by Ellen Frankel with custom built instruments by David Kontak. A quasi-sequel to Karel Čapek’s Rossum’s Universal Robots, the work celebrates the 100 year anniversary of the word robot and explores what it may means to move beyond a binary way of thinking.
Andrea was featured composer with the San Antonio Chamber Choir and Cardinal Singers. Concerts of her Tse Go La cantata took place on February 26-27. Info here. Tse Go La was also featured at the Orlando Sings Festival on June 9th, 2022. Info here.
Andrea was featured composer with the San Antonio Chamber Choir and Cardinal Singers. Concerts of her Tse Go La cantata took place on February 26-27. Info here. Tse Go La was also featured at the Orlando Sings Festival on June 9th, 2022. Info here.
A strong advocate for creating vital, alternative arts spaces that build community, Andrea founded her renowned Salon in 1986. “One of the best-known music salons in the country” with a “deep bench of topflight musicians”, “an underground sensation” (The Philadelphia Inquirer), “one of Philadelphia’s hidden gems” (Temple News) and winner of the “Best of Philly Award 2008” (Philadelphia Magazine), the Salon has become a beloved event, sparking a large and growing community around the arts in Philadelphia and beyond. She started Salons in Aspen, Scottsdale, NY and Main Line Reform Temple, National Museum of American Jewish History and the Interfaith Center of Philadelphia among others.
Andrea started a ZALON to continue the tradition online, support artists and help keep the arts alive. The 36-Year Season began a new hybrid model- the SZALON – to connect the communities far and wide with “live” and remote performances streamed in and out with the help of a fabulous tech team, Adam Vidiksis, technical director, Gerardo Razumney, lead engineer. Learn more here. Logo by Mia Bosna.
Prayer to the Shechinah” was premiered by the Grammy-award winning Conspirare chorus, who commissioned the work, in Austin on February 21, 2020.
Recent works are inspired by Tibetan music fieldwork that she conducted in a northern Himalayan region of Nepal to help preserve this musical heritage. Her first opera, MILA, Great Sorcerer, with libretto by Jean Claude van Itallie and Lois Walden, was premiered in a semi-staged production at the acclaimed Prototype Festival in January, 2019 at Gerald Lynch Theater in NYC. Praised by the press as “mystical and dramatically compelling”, “deeply moving and successful premiere”, “highly recommended”, “colorful, expressive score”, “lush and rich”, “a sonic exultation with lasting power”, “successfully delivers its redemptive message”, “the most accomplished and mature of this year’s compositions”, the opera was commissioned by Gene Kaufman and Terry Eder. Read the feature stories in the Philadelphia Inquirer and the Tricycle Magazine. The opera is on the life of the great Tibetan sage, Milarepa, who transformed from mass murderer into Tibet’s most venerated teacher.
Lung-Ta (The Windhorse) was presented to His Holiness the XIV Dalai Lama as an initiative for world peace and Tse Go La cantata has been performed internationally.
Clearfield was awarded residencies to complete a number of commissions at the Copland House, MacDowell, Women’s International Study Center in Santa Fe, Visby International Centre for Composers (Gotland, Sweden), the Bergman Estate on Faro (Sweden), Brush Creek Foundation in Saratoga, Wyoming, Ragdale Foundation in Lake Forest, Ill. and was selected as a 2019 Copland House Residency Award winner. She was awarded a 2020 fellowship at Yaddo, a second fellowship at the Visby International Centre for Composers in 2023 and a Fellowship at Bloedel Reserve on Bainbridge Island, 2023.<
Active as a pianist, she was keyboardist with the Relâche Ensemble for 25 years and was deeply honored to have been invited to perform with the Court of the Dalai Lama.
She was appointed the Steven R. Gerber Composer in Residence with the Chamber Orchestra of Philadelphia, Dirk Brossé, Music Director for the 2018-19 season and was invited as 2018 Composer-in-Residence at the Music from Angelfire Festival in NM and was interviewed by Fred Child for Performance Today.
She was 2018 Visiting Composer at Emory University and Yale-NUS in Singapore. Andrea has been invited as visiting composer to numerous universities including University of Texas at Austin, Michigan State University, William and Mary, The College of New Jersey, Dartmouth College, Indiana University, University of Chicago, Curtis Institute of Music and served as McKilroy Visiting Professor at the University of Arkansas.
Her choral music is included in the Choral Arts Hal Leonard Voices of Distinction Catalogues and the Boosey & Hawkes Conductor’s Choice Catalogues.