Complete List of Works

For more information, click on titles or go to the menu under Works
To order music, contact Andrea Clearfield unless otherwise indicated:

…and low to the lake falls home (A Memoriam for Margaret and Joseph Wincenc), (2010) for Carol Wincenc and Trio “Les Amies”, Carol Wincenc, flute, Cynthia Phelps, viola, Nancy Allen, harp (25 minutes). Also available for flute and piano.
Commissioned by Carol Wincenc

Les Fenêtres (2011) cantata for soprano and mezzo soprano soloists, chorus and orchestra to poetry by Rainer Maria Rilke. Commissioned by Singing City, Jeffrey Brillhart, artistic director, for the Philadelphia International Festival of the Arts with the Chamber Orchestra of Philadelphia (15 min.)

Tse Go La – At the threshold of this life (2012) for combined choruses, chamber orchestra and electronics. Co-commissioned by the Mendelssohn Club and the Pennsylvania Girl Choir for premiere with the Chamber Orchestra of Philadelphia on April, 29 2012, NYC premiere 5/19, NJ premiere 5/20

Poet of the Body and the Soul (2012) for The College of New Jersey Chorale to poetry from “Song of Myself” by Walt Whitman, John Leonard, artistic director, premiere March 17, 2012

Three Tenses of Light (2012) for SATB chorus and string quartet. Commissioned by The Newburyport Chamber Music Festival, Rhina P. Espaillat, poet, David Yang, artistic director, premiere August, 2012

New Work (in progress) for Gail Levinsky, saxophone and wind band. Commissioned by Susquehanna University, premiere January, 2013

Melisma from The Long Bright (arr. 2012) for soprano, flute, violin, cello, guitar and piano.Commissioned by the Philmore Ensemble

Song cycle (in progress), for pairing with Schubert’s Winterreise, vocalists and piano. Commissioned by Lyric Fest. Premiere, Philadelphia, 2012

Amok from The Golem Psalms (2006, rev. 2011) for baritone and piano. Commissioned by The Mendelssohn Club, Alan Harler, artistic director

Chinnamasta (2011), electronic score. Commissioned and premiered by Group Motion Dance Company, Mandell Theater, Philadelphia

Schwarzer Tod (2011), for electronics commissioned by Group Motion Dance Company in collaboration with visual artist Quintan Ana Wikswo, premiere November, 2011, Community Education Center, Philadelphia, NYC premiere, Jewish Museum, 1/12

Hagar (2011) for soprano and mezzo soloists, violin, percussion, piano and narrator, to new text by Ellen Frankel. Commissioned by The Women’s Sacred Music Project, Premiered at Daylesford Abbey and Germantown Jewish Center, 2011

Women of Valor Suite (2011) for soprano and mezzo soloists, violin, percussion, piano and narrator, to 11 texts by contemporary women poets. Arranged from Clearfield’s hour-long cantata, Women of Valor

Canyon (2011), arrangement from The Rim of Love cantata, for soprano, flute, strings, piano, guitar and percussion. Commissioned by The Philadelphia School (5 minutes).

Unimagined Bridges (2010) for Native American and transverse flutes (17 minutes). Commissioned by Lisamarie McGrath.

Kawa Ma Gyur (2010) for oboe, bassoon, percussion, vln, vla, vlc, electronics (11:25 minutes) inspired by indigenous Tibetan music that Andrea documented on her recent trek to Lo Monthang, Nepal. Commissioned by Network for New Music, Linda Reichert, artistic director.

Remembrance (2010) electronic score (12 minutes)
Commissioned by Group Motion Dance Company, Manfred Fischbeck, artistic director

Where there lies dreaming (2010) for electronic score. Commissioned by the Historical Society of Pennsylvania in celebration of the life and work of Mary Hallock Greenewalt.

A reminiscence sing (2009) for soprano, oboe and string quintet. Also available for soprano or tenor, clarinet and piano, soprano or tenor and piano. Dedicated to Maestro James Freeman in celebration of his 70th birthday (8 minutes)

Cal-3 (2009) piano solo, for choreographer/dancer Debby Kajiyama with José Navarrete and painter Heiner Riepl (7 minutes)

Scherzo after a theme by Diabelli (2009) piccolo, cello and piano, for Network for New Music (celebrating their 25th Anniversary)

Lung-Ta (2009) — for fl, ob, cl, bsn, perc., vln, vla, vlc, digital recordings (25 minutes)
Commissioned by Network for New Music

Our Better Angels (2009) — for men’s chorus (TTBB), brass, harp, percussion and organ (40 minutes)
Commissioned by the Turtle Creek Chorale

“Simply Love Them” from Our Better Angels (2009) — for tenor and baritone duet, and piano (5 minutes)

Rhapsodie for flute, harp and string trio (2008) — (17 minutes)
Commissioned by William A. Loeb for Mimi Stillman and the Dolce Suono Ensemble

Kabo Omowale (Welcome Home Child), (2008) — choral cantata for SATB chorus (suitable for inter—generational chorus), narrator and orchestra (18 minutes)
Commissioned by The Philadelphia Orchestra

Into The Blue (2008) — for SATB chorus, flute, vibraphone and piano (8 minutes), also available for SATB, flute, piano and SATB and piano.
Commissioned by The Rainbow Chorale of Delaware

Convergence (2008) — for viola and piano (10 minutes)
Commissioned by Barbara Westphal

Farlorn Alemen (2008) — song cycle for soprano and piano (15 minutes). Upcoming arrangement for SATB chorus and piano
Song cycle commissioned by Raya Gonen. Choral arrangement commissioned by Nashirah: The Jewish Chorale of Greater Philadelphia

Dream Variations (2007) – for SATB chorus, flute, viola, harp and organ (22 minutes)
Commissioned by The Debussy Trio

Romanza (2007) — for Violin and Orchestra or Violin and Chamber Orchestra (20 minutes)
Commissioned by Orchestra 2001

Sonic Circuits (2007) — for cello and film (with interactive technology)
Commissioned by Chamber Music Now (10 minutes)

Fire and Ice (2007) — choral cantata for soprano and baritone soloists, SATB chorus and orchestra, (46 minutes)
Commissioned by The Handel Society of Dartmouth College on the occasion of its bicentennial anniversary

“Fragmentary Blue” from Fire and Ice, (2007) — for soprano and piano (4 minutes)

“The Demiurge’s Laugh” from Fire and Ice (2007) — for baritone and piano (5 minutes)

The Golem Psalms (2006) — choral cantata for baritone soloist, SATB chorus and orchestra (30 minutes)
Commissioned by The Mendelssohn Club

“Amok” from The Golem Psalms (2006) — for baritone and piano (4 minutes)

The Shape of My Soul (2005) — SSAA chorus and string quartet (or piano) (7:35)
Commissioned by the Anna Crusis Women’s Choir in celebration of their 30 Year Anniversary

The Rim of Love (2005) — for soprano, harp, percussion and string orchestra (20 minutes)
Commissioned by Astral. Also available for soprano and piano.

“Canyon” from The Rim of Love (2005) — for sop. and piano (5 minutes)

L is for Laughter (2005) for soprano, flute (or oboe), cello and piano, or soprano and piano
Commissioned by Jane Foster (5 minutes)

Concertino for Marimba and String Orchestra (2004) (11:39)
Commissioned by the Philadelphia Classical Symphony

The Long Bright (2004) — soprano solo, treble chorus and orchestra (one hour)
Commissioned by David Wolman

“The Bridge” from The Long Bright (2004) — for soprano and piano (6 minutes)

“Melisma” from The Long Bright (2004) — for soprano and piano (5 minutes)

River Melos (2004) — for tuba and piano

The River of God (2003) — for SATB chorus and organ (7 minutes)
Commissioned by the American Guild of Organists

Into the Falcon’s Eye (2003) — 2 horns and piano, also arranged for clarinet, horn and piano; clarinet, cello and piano; 2 celli and piano (11:07)
Commissioned by Froydis Ree Wekre. Published by Jomar Press

Sarah (arr. 2003) from Women of Valor, SSA chorus, flute, percussion, piano (7:07 minutes)
Commissioned by the Women’s Sacred Music Project

Women of Cyprus (2002) — string quintet (7 minutes)

Women of Cyprus (2001) — piano, synth, female voice for the Mersinio Arts Centre, Cyprus (15 minutes)

Re—Turn (2001) — violin, piano, bass, drum set and synthesizer (5:49)
Commissioned by Group Motion Dance Company

Unremembered Wings (2001) — oboe (or soprano sax) and piano (11:12)
Commissioned by Andrea Gullickson. Published by Jomar Press

TRAX (2001) — fl, ob, cl (sax), bsn, vla, bass, mba, pno, for Relâche (6:55)

always (light) — fragments (love) (2000)> — soprano, flute, cello, piano (11 minutes)
Commissioned by Network for New Music

Women of Valor (2000) — soprano, mezzo soprano soloists, narrator, orchestra (1 hour, 5 minutes)
Oxford University Press

Women of Valor Chamber Version (2000, arr. 2009) — sop. 1 or 2 mezzo sop., narr., vln., perc., pno. (1 hour)

Leah, Ruth, Rachel, soprano set from Women of Valor (2000) — for soprano and piano (15 minutes)

The Song of Ruth” from Women of Valo (2000) — for soprano and piano (5 minutes)

Leah’s Aria from Women of Valor (2000) — for mz. solo, harp, piano, strings, narrator (6 minutes). Also available for mezzo and piano.

“Jocheved” from Women of Valor(2000) — for soprano and mezzo duet and piano (5 minutes)

Rachel’s Aria from Women of Valor (2000) — for sop. solo, harp, piano, strings, (5 minutes). Also available for soprano and piano.

Miriam’s Dance from Women of Valor (2000) — for sop. and mz. solos, harp, piano, strings, narrator (5:30 minutes)
Commissioned by The Los Angeles Jewish Symphony

Hannah’s Prayer from Women of Valor (2000) — for sop. solo, harp, strings, narrator. (7 minutes)

Fanfare for the Millenium (2000) — symphony orchestra, for the Tacoma Symphony (2 1/2 minutes)

Timecycle (2000) — for soprano and clarinet
Commissioned by the Pennsylvania and Delaware Music Teachers National Association (16 minutes)

Awake at Dawn (2000) — for soprano solo, SATB chorus, strings, harp and percussion
Commissioned by The Music Group of Philadelphia, Sean Deibler, artistic director (20 minutes)

Trax (2000) — marimba quartet for Battery 4 Percussion Group (6:22 minutes)
Published by Jomar Press

Jocheved (2000, arr. 2001) — SSA chorus, flute, percussion, piano
Commissioned by The Women’s Sacred Music Project and The Lady Chapel Singers (5:25 minutes)

Double Play (1999) — piano, percussion (11 minutes)
Commissioned by the Hoffmann/Goldstein Duo. Published by Jomar Press

Millennium Fanfare (1999) — 2 horns, 4 trpts, 3 trbns (1 1/2 minutes)
Commissioned by Concerto Soloists of Philadelphia

Only The Wind (1995, rev. 1998) — for soprano, clarinet, piano (14 minutes)
Commissioned by Melissa Perry

Drip to Me Only (1998) — electronic tape (5 minutes)

Angelfire (1998) — fl, vla, ob, cl, bsn, bass, perc, pno, for the Relâche Ensemble (16:26 minutes)

Cascade (1998) — tenor sax and piano (6 minutes)

Three Songs for Violin and Double Bass after poems by Pablo Neruda (1998) — (7 min.)
Published by International Opus

Three Songs for Oboe and Double Bass after poems by Pablo Neruda (1997)International Opus (7 min.)
Also available for Bassoon and Bass.

Body, Dream Sequence (1997) — electronic tape (5 minutes)

Legacy (1997) — soprano, flute, piano (10 minutes)

Reminiscence (1997) — English Horn and piano (also for English Horn and string quartet or string orchestra)
Commissioned by George Corbett (8 minutes). Published by International Opus

Sax Trax (1997) — saxophone quartet (6 minutes)
Published by Jomar Press

Fantasy for Sax Quartet (1997) — saxophone quartet (5 1/2 minutes)

City, Urban Tracks (1996) — electronic tape (5 minutes)

Spirit Island (1996) — flute, cello, piano (15 minutes) Also available for flute, double bass and piano
Published by Jomar Press

Love Song (1995) — soprano, oboe or flute and piano (6 minutes)
Published by International Opus

Weeping into Green (1995) — soprano, clarinet, piano (6 minutes)

On the Pulse of Morning (1994—5) —SATB Chorus, soloists, orchestra (30 minutes)

Songs of the Wolf (1994) — horn and piano (14 minutes)
Commissioned by Froydis Ree Wekre. Published by Jomar Press

Luna (1994) — English Horn, marimba, piano (6 minutes)

Labyrinth (1994) — soprano, oboe, (EH) — marimba, percussion, piano (15 minutes)
Commissioned by Group Motion Dance Company

Winter Spirits (1993) — SATB chorus, sop solo, fl, cl, marimba, perc, synth., pno. (15 minutes)

Fantasy (1993) — string orchestra (7 minutes)

The Crying Queen (1993) — piano solo (5 minutes)

Gaia (1993) — soprano, oboe or flute and piano (10 minutes)
Published by International Opus

Winter Universe (1992) — soprano, fl, cl, synthesizer, pno., perc, tape (25 min.)

Nes Gadol Hayah Sham (1992) — SATB chorus, sop solo, vlc, pno (7 minutes)

From the Heart (1991) — flute, cello, piano (6 minutes)

Red Clay (1991) — soprano, oboe, piano (5 minutes)

Earth Circle (1991) — soprano, flute, cello, double bass, piano (8 minutes)

Redstone String quartet (1991) — string quartet (25 minutes)

Under the Sleeping Tree (1990) — soprano, oboe, piano (5:30 minutes)

Into the Distance (1990) — soprano, baritone, oboe, cello, piano (10 minutes)

Time and Space (1989)— soprano, oboe, piano (5 minutes)

In Memoriam (1989) — soprano, 2 flutes, piano (6 minutes)

Diary of Justyna (1988) — collaborative work dance, theater and music with Manfred Fischbeck — for chorus, chamber chorus, sop solo, sax, 2 synth, perc. (30 minutes)

Sea Trilogy (1988) — soprano, 2 flutes, piano (8 minutes)

Andrea Clearfield
Photo by Joanna Eldredge Morrissey

Audio Excerpts

Romanza (2007)

For violin and chamber orchestra
Commissioned by Orchestra 2001

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The Long Bright (2004)

For soprano, children’s chorus and orchestra
Commissioned by David Wolman

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The Golem Psalms (2006)

For baritone, SATB chorus and orchestra
Commissioned by The Mendelssohn Club

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Three Songs for Violin and Double Bass
after poems by Pablo Neruda (1998)

For Heide Sibley and Edgar Meyer

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Hannah’s Prayer from Women of Valor (2000)

For soprano, mezzo-soprano, narrator and orchestra

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